The story's main action takes place in an elaborate suite of seven colored rooms within the abbey, where Prospero holds the masquerade ball. The suite, which Prospero designed, consists of seven rooms that run in a line from east to west. Roughly a line, at least – as the narrator tells us, their alignment is actually rather irregular, so that from any given room you can only see into one other room. The lighting's interesting too. Every room has one window on either side of it (facing roughly north and south), and the candles to light each room are placed outside the windows in the two hallways that run along either side of the suite. That way the light shines into the rooms through the windows, creates quite a neat effect, especially considering the ball takes place late at night.
The most memorable detail of the suite, of course, is that each room has a different "color theme." The wall hangings, the decorations, and even the windows of a given room are all one color. The first room in the suite – the farthest room to the east – is blue, the second is purple, the third is green, the fourth is orange, the fifth is white, and the sixth is violet.
The seventh room – the room farthest to the west – is special. It's hung in all black, but its windows are a deep blood red. There's also a huge, threatening clock in it, which eerily chimes every hour and makes everyone's hair stand on end. So between that and the color scheme, you might as well think of the black room as the Horrifying Room of Death, which it turns out to be anyway.
A common thought is to see these rooms as a way from birth to deaf.
But my firstest imagination coming into my mind was the symbol of seven sins belonging to Prospero.
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